susan sontag on photography sparknotes

Susan Sontag's On Photography is a seminal and groundbreaking work on the subject. StuDocu University. Born In: New York City. The allegory shows that the prisoners in the cave only see an image of reality which is the shadow, but never the real objects behind them. The essay “In Plato's Cave” by Susan Sontag condemns photography and elaborates upon the meaning of photography as a sort of warning. The practice of photography gives us assurance by its accurate relation to reality than any other devices. Review: Susan Sontag On Photography. Susan Sontag's On Photography Chapter Summary. Photography, more than any other art form, is subject to intense moral scrutiny. The Image World – Susan Sontag (1977) November 7, 2009 by Hugh Susan Sontag’s On Photography is a text that every photography theory student grapples with at one point or another. Kindle Edition. (Sontag 9-10). Photos are the world’s “cheat sheets” for life’s test. Nobody can survive if they go through life never trusting anything: what they see, read, hear, or feel. Almost every photography student has probably read it. 4.4 out of 5 stars. A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality study guides that feature detailed chapter summaries and analysis of major themes, characters, quotes, and essay topics. The forming image is sharp, trenchant - a good picture; but it isn't exactly the photo you had in your head. 100 Thought-Provoking Quotes By Susan Sontag That You Can’t Overlook . Photography is a social rite, in that cameras go with family life: they keep the accomplishments of family members for reminiscence (Sontag 8). Photography, Susan Sontag holds, is not a mere copy of reality but rather a recycled copy. Susan Sontag-On Photography In Platos cave – summary. On Photography is a collection of essays by American writer, academic, and activist Susan Sontag. 234 customer ratings. http://www.susansontag.com/SusanSontag/index.shtml Estate of Susan Sontag. Meaning, the more we take photographs the more we need to take photographs, and this accounts for what is known today as the "pictorial turn". Full Summary of On Photography Overall Summary. She indicates that we require captions and written examination to support the diverse imagery, photograph of a performance taken by Sean Fitzpatrick, 76, 5 x 50, 5 cm.) Sontag compares the allegory of these shadows to photos and reality, saying that photos are like shadows: they are not real. At this end of the spectrum, deeming a photo completely perfidious would show as ridiculous. Photography is a field that is steeped in ambiguity, it is an art form, a form of evidence both in scientific and legal processes, it is used heavily in advertising and also in journalism. She is implying that because anyone can take pictures, society is overrun by photography. Sontag reveals, “It is mainly a social rite, a defense against anxiety, and a tool of power.” (Sontag 8). The idea of people automatically saving photographic information in their heads may appear gullible, but the motivation of people relying on photos to look into how the world really is, is the need for knowledge in order to survive. I, on the other hand, have more to say about photos and in certain ways, cannot fully agree with what Sontag presents. Sontag’s On Photography is one of the most quoted academic works on the subject of photograph, and generally comes up any time you’re having a serious discussion about photography. Find summaries for every chapter, including a On Photography Chapter Summary Chart to help you understand the book. I read it myself a good year before starting this course but if there was ever a case of something you read going in one eye and out the other this was it. Sites with a … These statements show that Godwin’s and Salgado’s work fits within an activist arena. Peter Hujar Archive . StuDocu Summary Library EN. For those of you who do not know who Susan Sontag (1933- 2004) was, she was an active author, intellectual, playwright, well-known cultural figure, and humanitarian. Overall, photos may exist only as a world of images, nothing more: shadows of reality and the truth, but more critical judgment may show otherwise. In On Photography, Sontag named her first essay "In Plato's Cave" in reflection of the allegory of the same name by Plato. “In Plato’s Cave.” On Photography. I recently read it while developing an aesthetics … Many of her insights are interesting and/or provocative. Susan Sontag is the author of four novels, The Benefactor, Death Kit, ... An Analysis of Susan Sontag's On Photography (The Macat Library) Nico Epstein. Also includes sites with a short overview, synopsis, book report, or summary of Susan Sontag’s On Photography. Her book is a collection of six essays that explore photography in the deepest of manners. Susan Sontag (/ ˈ s ɒ n t æ ɡ /; January 16, 1933 – December 28, 2004) was an American writer, filmmaker, philosopher, teacher, and political activist. Next. This is an essay, if you will, of my interpretation of the first chapter ("In Plato's Cave") of Susan Sontag's 1977 book, On Photography. Susan Sontag’s “On Photography” was first published as a series of essays in “The New York Review of Books” and then in book form in 1977. 4.4 out of 5. As stated by Judith Butler, the view of Susan Sontag, visible throughout her texts claiming that the photograph can’t reflect clarification by itself, would be senseless. It defines and presages the thinking that underlies the whole book. eNotes - On Photography Detailed study guides typically feature a comprehensive analysis of the work, including an introduction, plot summary, character analysis, discussion of themes, excerpts of published criticism, and Q&A. For those of you who do not know who Susan Sontag (1933- 2004) was, she was an active author, intellectual, playwright, well-known cultural figure, and humanitarian. In addition, Sontag explores the dark side of people’s motivations behind photography. The book itself does not include a single picture. In order to get a full understanding of the “Miss Lesbian” photograph, I will be taking a look at, This essay will discuss the links between photography and censorship and how the photographer and the media uses this to distribute images of a atrocity to the masses, when is it appropriate to censor images and when is it not? On Photography On Photography is a 1977 collection of essays by Susan Sontag. torkildr, CC-BY-SA 3.0, via Wikimedia Commons. Also, photos can be doctored: scale changes, cropping, retouching, aging, and can be bought and sold (Sontag 4). On Photography Summary. Now Susan Sontag has shown us in elegiac words how far we are enlightened or unenlightened about photography. People want to save these images in their heads in order to sort information to relate to how the world is. Sontag insists is that the industrialization of camera technology has democratized society's experiences into images that “sleek” pocket cameras allow anyone to snap (Sontag 7). Sontag is saying that even though to take a picture one must have distance, it still inflates hidden desires, ones that are either sexual or violent. Susan Sontag: On Photography: In Plato's cave – summary Humanity, argues Susan Sontag in "In Plato's Cave" in her collection of essays "On Photography", is still in Plato's cave. £27.33. University. Even so, this reliance on photos has useful purpose in some instances, so Sontag may have crossed the line and “blew it out of proportion”. 3.2 out of 5 stars 13. On Photography Summary. Susan Sontag’s On Photography is one of the best studies of photography that you can find. Sontag, Susan. Full summary at http://www.dailyrenegade.com Seeing this doubt in light of what Sontag claims shows that photography’s hold on society may be great, unfortunately in a melancholic way, but Sontag misses the point of how photography is advantageous. A prime example of one of Sontag's warnings about photos is, “Humankind lingers unregenerately in Plato's Cave, still reveling, its age-old habit, in mere images of the truth.” (Sontag 3). A brief overview of the photographers careers is given as an introduction to the analysis. It delves into the idea of ‘transparency’, where photographers have eliminated the boundaries of art and are faced with the prospect of being free to capture. It will always be a knowledge at bargain prices- a semblance of knowledge, a semblance of wisdom: as the act of taking pictures is a semblance of appropriation, a semblance of rape.” (Sontag 24). In the Plato's Cave story, the shadows cast upon the wall that the trapped prisoners see are much different than the real objects in front of the fire (Cohen). “On Photographyis to my mind the most original and illuminating study of the subject.”—Calvin Trillin, The New Yorker. Photography's inferior but inexorable version of reality is the bases of On Photography. To deepen the interpretation and analysis of this photograph, I will be using work done by John B. Thompson and will be using his theories of the five symbolic forms (Intention, Convention, Structure, Reference and Context.) https://www.waterstones.com/book/on-photography/susan-sontag/978014103… Susan Sontag starts her book on photography with a reference to Plato's cave, a dark prison only a few escape. She explains, “The camera doesn’t rape, or even possess, though it may intrude, trespass, distort, exploit, and, at the farthest reach of the metaphor, assassinate- all activities that, unlike the sexual push and shove, can be conducted from a distance, and with some detachment.” (Sontag 13). Died On: December 28, 2004. And whether we use them to expose, reveal or remember, they hold an enduring power. This book is a collection of essays by Susan Sontag, first published in 1977. "Literature was the Passport.". Photography has been hugely implemented into families and all institutions, as Sontag points out, “…not turning up for one’s graduation picture is a sign of adolescent rebellion.” (Sontag 8). kolkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkk, http://faculty.washington.edu/smcohen/320/index.html, http://www.susansontag.com/SusanSontag/index.shtml. It originally appeared as a series of essays in the New York Review of Books between 1973 and 1977. 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